Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for your unrest? Katniss. And what's worse, President Snow has caused it to be clear that no person else is protected either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one in the most mentioned books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended like a trilogy. Did it genuinely end the way in which you planned it from the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc from the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant throughout the writing process.

Q: We understand you worked for the initial screenplay for the film to become depending on The Hunger Games. What may be the biggest distinction between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. When you're adapting a novel in a two-hour movie you can not take everything with you. The story has to be condensed to fit the modern form. Then you have the question of how best to take the sunday paper told inside first person and present tense and transform it into a satisfying dramatic experience. In the novel, you don't ever leave Katniss for the second and are privy to any or all of her thoughts so you will need a approach to dramatize her inner world and to make it possible for other characters to exist outside of her company. Finally, you have the challenge of how to present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A great deal of the situation is acceptable on the page that wouldn't be on a screen. But wait, how certain moments are depicted may ultimately be in the director's hands.

Q: Do you believe you're capable to consider future projects while working on The Hunger Games, or are you immersed in the world you happen to be currently creating so fully it is just too difficult to take into consideration new ideas?

A: I've a number of seeds of ideas floating around inside my head but--given much of my focus is still on The Hunger Games--it will likely be awhile before one fully emerges and I can start to develop it.

Q: The Hunger Games is an annual televised event in which one boy the other girl from each in the twelve districts is expected to participate in a very fight-to-the-death on live TV. What do you believe the selling point of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I have found very disturbing. There's also the opportunity for desensitizing the audience, so that whenever they see real tragedy playing out on, say, the news, it doesn't hold the impact it should.

Q: If you were made to compete within the Hunger Games, what can you think your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope would be to obtain hold of a rapier if there was clearly one available. But the facts is I'd probably get about a four in Training.

Q: What can you hope readers will come away with after they read The Hunger Games trilogy?

A: Questions about how precisely elements of the books could possibly be relevant of their own lives. And, if they're disturbing, what you might do about them.

Q: What were some of one's favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time around it's for world control. While it can be a clever twist around the original plot, it means that there's less focus about the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in to a less vibrant Katniss by showing her despair both at those she feels in charge of killing and and also at her motives and choices. This is definitely an older, wiser, sadder, and very reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels and also the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement to an unsure come back to sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts just like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of every with the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.